Tuesday 5 December 2017

Lacan Theory



Jacques Lacan's theory, states that there is a specific point of childhood, usually between the 6-18 month age, where a baby sees him/herself in a mirror for the first time and has a sudden realisation that they have their own identity. This happens before the linguistic stage of childhood occurs and is the stage of childhood in which the basic needs are all the child wants. This pre-linguistic stage is what Freud would refer to as the 'ID' and focuses solely on the wants and needs. As soon as the linguistic phase of childhood kicks in, the 'ego' begins to develop and the child learns to express their desires in a more socially acceptable way through the use of language as opposed to crying and screaming. During the mirror phase, the child becomes extremely confused as they are viewing themselves as an object for the first time and this sparks an initial identity crisis. When the child first sees their reflection, they begin to form a sense of identity and make sense of the word 'I' for the first time. This sense of identity gives a child a fundamental grounding of how they are going to be as a person. If a child misidentifies what this identity realisation is then it can become fragmented. This means that the initial grounding of personality becomes broken and the child will resort to their surrounding environment to create their personality meaning that they will mould themselves into their carers. It also means that a child will not be able to develop their inner 'ego' and can therefore struggle in life with handling their inner desires in a socially acceptable way. At this stage of life, a baby relies on their parents or caregiver to mould them into people who are socially acceptable and this happens during the linguistic stage in which children are taught to say "please" and "thank you" when they want something as opposed to screaming like a young baby, who cannot talk, would.










This idea of identity will continue on into all stages of life, and Lacan explains that the majority of life is spent searching for the pleasure and convenience of life before the identity stage. Lacan stated that a person's need for this pleasure will fade as they get old and this leads to the calmness and comfort of old age. This idea is always carried into later life and often results in the narcissism and self-absorbed nature of adulthood. Adults focus entirely on their identity and this is why this idea of warped self recognition is often glamourised and used in Hollywood. Horror films often use the idea of self image in their scenes because the idea of losing ones self or looking in the mirror and seeing something you do not recognise, is a common fear amongst adults because it relates to a lack of identity. Horror films often use the Lacan mirror theory and turn it into a physical mirror to use within the scenes as it is the most basic way of visually presenting a lack of identity and this has turned into what can be considered a 'Hollywood cliche'.

Laura Mulvey - Male gaze theory



Laura Mulvey's theory states that in an industry dominated by male associates, film uses the male gaze theory to turn the camera into a heterosexual man in order to appease the audience. It is done in an attempt to visually please the audience by sexualising women using camera, lighting and sound techniques. This is often seen in films and adverts when they use attractive women and use them to turn non sexual situations into scenarios with a sexual undertone. Despite the male gaze theory being usually used to appeal to men, it can also be used in an attempt to appeal to women. By using the male gaze theory it can present women in a way that women want to see themselves, as well as the way they look at other women. Studies have shown that 60% of heterosexual women have admitted to regularly being attracted to other women and this has reinforced the use of the male gaze theory. Mulvey's theory was created in 1975 when she made the statement that in order to watch a film, the audience has to be put in the position of a heterosexual male in order to enjoy it fully. It is often presented in the camera movement, the camera often lingers on the body of the female almost in the way a man would look a woman up and down. The shots used are often longer takes and this is done to prolong the pleasure of looking, known in media terms as scopophilia.











The male gaze theory is used in every form of media. From film, music video, print and adverts, the male gaze theory will be evident and will use either the more subtle or obvious sexualisation of women. Mulvey stated that this was done in an attempt to objectify the woman used and make her more appealing to men. This is often done in a way such as presenting the woman next to or with things considered manly such as technology and/ or machinery.







Freud Theory



The Freudian theory states that there are three aspects of a person's personality. The theory states that a newborn baby is born made up of only an ID aspect to the personality. He goes on to explain that a child only develops an ego and a superego as they age and become accustomed to the ways of society. Freud's theory breaks down to the three aspects of the Id, the ego and the superego and is explained in basics below:






The theory breaks down into the three main aspects:

The ID: The natural instincts that every human is born with. The part of the human that craves essential things that would sustain the child for example food and nurture. These essentials change as the person ages and once an adult is often, food, sex and stability. The main purpose of the ID is to avoid plain and remind the body of the things it needs, it is drawn to things that the human body considers pleasurable. The ID is the aspect of the brain that often stays below the surface as it is something that is most often felt and doesn't especially need consideration. The ID is considered the bad part of the personality as it often tells the brain that it wants things that are considered sins. It reminds the brain that it needs things such as sex and food which relate to the biblical sins of lust and gluttony and are the negative and wrong aspects of human personality.

The Ego: As the child ages and develops, it develops its own ego. The ego is the part of the personality that considers rationality as a probable solution and keeps the person grounded and reasonable. The ego is what is usually visible on the outside as it is most commonly the best option for a solution. It is the part of the brain that analyses the situation before coming up with a solution that is acceptable and dependant upon the circumstances.

The Superego: The superego is also mostly hidden underneath the surface of the personality. It is the aspect of the brain that acts dependant upon morality and what is right and wrong. It is often considered the 'angel' aspect of the personality and is hot-wired into the brain to determine whether something is right or wrong. The superego is what keeps the majority of people on the straight and narrow throughout the entirety of their lives and is the voice in the back of the mind that tells you not to do something and gives you the reason as to why you shouldn't do it.






Editing

Summer Task: Part 3

Early editing - cutting


Applying Lacan

Visual -
Lack of fill


half of what he wants is there - there is a gap - The lack


Centre of the screen
No non-diegetic sound there is just diegetic sound of the phone ringing and the characters talking to each other.
He stutters quite a lot because he isn’t quite sure what he wants and when he is near getting it, he doesn’t know what to do.
He also paces around which shows his obsession, and whilst pacing around you see him hunched over. This clearly identifies that he clearly is pursuing something
Flat = empty and this represents him. He feels empty and lost because he wants his desires filled. (Get a quote from the theory)


Yellow tint which is quite dull but it fills up the entire scene. This connotes that he is dull, that he feels that his life is dull.
In the same scene the left half of the screen is blank and he fills the right side of the screen with himself. The colour palette is dulled down and consists of 3 colours; yellow, brown and a green colour.
Yellow = usually a happy colour yet is portrayed as the opposite
Brown = dirty, cloudy, muddy
Green = envy and sickness
This colour palette is a representation of the state of his mind.
Centre - trying to control the situation


Centre - controlling the conversation


Right - Not in control of the situation

Evaluation on my New Wave essay

I decided to study the French New Wave as I wanted to study how one movement within film drastically changed future film making. The French New Wave started this revolution of on scene shooting, using hand held cameras, having characters in the film talk to the audience and abstract editing techniques. 


I decided to focus of film-maker Jean-Luc Godard as after watching a couple of his films, I took a considerable amount of knowledge and inspiration from him. As previously mentioned, I noticed there were several techniques which are used in film today. One of these techniques are jump cuts, which are thought to be invented by Godard himself. I used quick cuts and fast editing in my new wave film from the inspiration I gained from Jean-Luc Godard. I also used a hand held camera all throughout my film as you may be able to tell from the shakiness of the camera, but you may not be able to tell as much with the quick editing techniques I have used. 

My French New Wave essay has gone really well although I could’ve done a bit more research and reading of books to help me write it better. I could have also watched the films I have analysed, a couple times and then wrote notes which then would’ve furthered into better detail of the films. I think if I would’ve done this I would have more of an understanding of the films I watched.

I think if I paid more attention to detail and wrote more notes about each film then I believe I could've made my work better in detail. If I used more books to further my research into Jean-Luc Godard, and the French New Wave then maybe I could've made more references which would've made my work better.